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    Folger Magazine Review of Shakespeare on Toast

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    Folger Magazine – Spring 2009

    Actor Ben Crystal takes a lighthearted, personal look at why the bard is not only fun, but “good for you” in Shakespeare on Toast

    Notions that Shakespeare is stuffy, elitist, or just plain boring are knocked soundly on their heads in this engaging look at Shakespeare’s plays, characters, and language.

    Novices and longtime fans alike will delight in getting a taste of what Elizabethan theater-going was like, the nuances of poetry vs prose, and why putting witches on stage was such a bold, brilliant move.

    Amy Arden

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    BBC Radio 4, Midweek with Libby Purves

    Last week’s Toast talk at the Notting Hill Waterstones went tremendously well, now to this week…

    Tune in tomorrow at 9am – or via the iPlayer for the following week, to hear me being interviewed on Midweek, BBC Radio 4, by Libby Purves, with international art dealer Philip Mould, the amazing sitar player Baluji Shrivastav, and the author and Times columnist Stefanie Marsh… The show will be repeated at 9.30pm…

    Listen to the clip here, or Listen Again to the full interview here

    Upcoming Events…

    Gearing up for the launch of the paperback edition of Toast next week, here’s a look at where and when I’ll be in the coming weeks…

    27th May, 7pmInternational House, Covent Garden, London

    31st May, 9amHay-on-Wye Literary Festival – It may be early morning, but Toast will be served, and coffee will be provided by Cafedirect!

    4th June, 7pmNotting Hill Waterstones

    10th June, 9amBBC Radio 4, Midweek with Libby Purves

    11th June, 10amBBC Radio Bristol, Graham Torrington’s show

    11th June, 7pmBrendan Books, Old Brewery Buildings, Bath Place, Taunton, Somerset – Brendan Books was shortlisted for the Independent Bookshop Of The Year…

    18th June, 11.05amBBC Radio Somerset, with Elise Rayner

    19th June, 9.15pmBBC Radio 3, The Verb, with Ian McMillan

    22nd June, 6pmShakespeare’s Globe, Nancy Knowles Lecture Theatre, ‘Speaking English in Shakespearean London’ with David Crystal

    25th June, 7pmSchool of Life, Show and Tell with Damian Barr. Also with Laura Lockington and David Nicholls…

    15th July, 7.30pmWays With Words, Dartington Hall, Devon

    << See more at the Book Festivals Dates Page

    Cafedirect & Toast at Hay-on-Wye

    This coming Sunday 31st, as part of The Guardian Hay-on-Wye Literature Festival, I’ll be talking all things Shakespeare, at the breakfast hour of 9am.

    Cafedirect is sponsoring the event, providing free coffee – and I’ll see if I can’t rustle up some toast and jam to go with the Toast

    Come one, come all… Click here for a link to the Hay website… and below to the right for details of Cafedirect… also their blogpost here

    The Sydney Morning Herald – Review of Shakespeare on Toast

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    The Sydney Morning Herald – February 7th, 2009 – Pick of the Week
    If you have a friend of member of your family who is about to study Shakespeare and they find the Elizabethan English and profound poetic utterances intimidating, then this book should be read before attempting the greatest intellectual journey that literature can offer.

    Alternatively, if you have read Shakespeare or seen a Shakespearean play and you have not been swept off your feet by the sheer power and beauty of the drama and the language, then you, too, should read this book.

    Shakespeare is not only the greatest playwright, he is so far ahead of other dramatists that they seem shuffling and stunted beside him. It is rare to find a book that takes his genius as its premise, refuses to become excessively intellectual about his work and encourages readers to enjoy the simple pleasure of great plays written superbly.

    This is the modest aim of actor and English language and linguistics graduate Ben Crystal and, in spite of the dubious title (subtitled Getting a Taste for the Bard) this is a book that argues pervasively the case for reading, seeing and enjoying Shakespeare.

    Crystal’s approach is simple: he teaches the reader how to understand the plays in the context of the sparse stages of the Elizabethan era and the original audience’s familiarity with the stories.
    He discusses in detail the rich subtlety of the language and points out that modern audiences should not be daunted because “of the 900,000-odd words in Shakespeare… only 5 per cent of them would give someone wandering around in the 21st century a hard time”.

    Most critically, he explains what iambic pentameter is, how it is used and what its vital function is in the plays.

    It has often been said that the greatest Shakespearean actors know how to read the poetry. Certainly, this remarkable book explains why the poetry is so important and so great.

    This is a remarkable primer for anyone who wants to understand the true genius of the greatest writer the world has ever known.

    — Bruce Elder

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    The Guardian – Review of Shakespeare on Toast

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    The Guardian – Jan 31st, 2009

    At first this seems insufferable: a matey attempt to make Shakespeare “relevant”, to rescue him from being considered as boring old “Literature with a capital L”, and to persuade the reader that Macbeth is really like Scarface, that iambic pentameter is like rap, and that – heaven help us – if Shakespeare were alive today he’d be writing for EastEnders. (He would of course be writing miniseries for HBO.)

    Yet along the way Crystal, who is also an actor, paints in a lot of useful context about Elizabethan playhouses, explains very well the business of textual comparison (lamenting the habits of conflation and punctuation-meddling of modern editors, with a particularly convincing example from Romeo and Juliet), illuminatingly tracks changes from “thou” to “you” and back again in a single scene; and conducts an excellent technical discussion of metre, which culminates in a genuinely thrilling dramatic exegesis of an extract from Macbeth itself.

    There are gems of close reading and theatrically focused attention throughout. It would be a shame if the style, which often reads as though desperate to hold the attention of a reluctant GCSE student, put off older readers (his habit of saying something “bakes” his “cake”, in particular, might not roast your chicken).

    Crystal ends up admirably succeeding in his ambition to provide a toolbox for getting to grips with Shakespeare’s plays.
    Steven Poole

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    In The News Reviews Shakespeare on Toast

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    In The News

    In a nutshell…

    Enjoyable, light-hearted, accessible guide to Shakespeare.

    What’s it all about?

    Shakespeare On Toast is a step-by-step manual to unlocking the ‘difficult bits’ of Shakespeare, and bringing his works to life. Covering everything from context to metre, Crystal blows the cobwebs from the Bard and reveals his plays for what they are: thrilling and uplifting drama.

    Who’s it by?

    Ben Crystal is an actor and writer who regularly gives talks and workshops on Shakespeare. He co-authored the acclaimed bestseller Shakespeare’s Words and The Shakespeare Miscellany with his father, David Crystal.

    As an example…

    “Too many people forget that at the end of the day, Shakespeare was just a man. He ate, he drank, he had sex, he laughed he p****d, he cried, he woke up hangover, he wrote, he ran out of ideas.”

    Likelihood of becoming a Hollywood Blockbuster

    Perhaps more a small-screen success than a box-office hit. There is definitely the potential here for an engaging, interesting mini-series about Shakespeare. Could Ben Crystal be the Simon Schama of literature?

    What the others say

    “A light-hearted look at Shakespeare which dispels the myths and makes him accessible to all. I love it!” – Dame Judi Dench

    “An ideal way to gain an understanding of why Shakespeare is so brilliant and so enjoyable.” – Sir Richard Eyre

    “Like going to the theatre with an intelligent friend.” – Independent

    So is it any good?

    The celebrity endorsements that adorn the front of this book make such astounding claims that one might well be dubious. However, Crystal more than lives up to the hype generated by these ‘luvvies’, and succeeds in providing a pacey, informative and accessible ‘manual’ to Shakespeare.

    Unlike many books that promise to ‘unlock’ Shakespeare, Crystal successfully avoids becoming too bogged down in literary technique or individual scenes, and rather gives readers an understanding of the basics. His superbly simple strategies (from historical background to just what iambic pentameter really is) are underscored with relevant and humorous analogies ranging from Mos Def’s rap lyrics to Miles Davis’ musical experimentation.

    It is this infectious enthusiasm for all things Shakespeare that ensures the book remains fast paced and good humoured, sweeping the reader along through strategies which even had this drama-phobic reader chanting scenes aloud.

    9/10

    Ashley Cook

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    The Book Depository Interview

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    The Book Depository

    I was asked recently to give my Top Ten favourite books, for the website The Book Depository.
    Top Ten Books for The Book Depository

    Ben Crystal is an actor at Shakespeare’s Globe. With his father David Crystal he co-authored the internationally acclaimed bestseller Shakespeare’s Words and The Shakespeare Miscellany. He is also author of Shakespeare on Toast. Here is Ben Crystal’s Tuesday Top Ten.

    Ben says:

 “I am approaching this from a Desert Island point of view, in that it is an impossible task to bring your favourite books down to a mere 10, much like that terrible equally impossible question, ‘What is your favourite film?’ How can you answer? In mentioning one you leave out twenty.

After great deliberation, ranting and raving, here are ten of my most favourite — bearing in mind, Desert Island-like, I get the complete works of Shakespeare as standard, which I realized after selecting wasn’t included in the original ten, mea culpa. All of these books I have read and re-read. There’s just something about them that keeps me going back, like Scott’s Bladerunner and Kubrick’s The Shining…”

    Neuromancer by William Gibson
    I remember picking this up for the first time when I was 15 and not having the slightest idea what was going on. Cyberpunk fiction was new to me, and Gibson’s elliptical writing keeps your imagination working hard to keep up. Neuromancer was written years ahead of the Internet we all know and love, and I keep coming back to Case’s journey through cyberspace. There are still bits I don’t entirely get, and I adore that.

    Death and the Penguin by Andrey Kurkov
    This is the first of two books I found idling through Daunt Books on Marylebone High Street in London, when I lived nearby. It’s the Harvill paperback, with a cut out cover, as if staring down the twisted barrel of gun, through to a penguin carrying a violin case. It starts with a short story:

A Militia major is driving along when he sees a militiaman standing with a penguin. “Take him to the zoo” he orders. Some time later the same major is driving along he sees the militiaman still with the same penguin. “What have you been doing?” he asks, “I said take him to the zoo.” “We’ve been to the zoo, Comrade Major,” says the militiaman. “And the circus. And now we’re going to the pictures.”

I immediately turned the page, and on a cast of characters is listed Misha, the penguin. I bought the book, and fell in love with Misha. I maintain he’s one of the most lovable fictional characters I’ve read. (After the lift that has existential dread and doesn’t like ‘going up’ – “Have you considered the possibilities that ‘down’ has to offer…?” in Life, The Universe and Everything.)

    Norwegian Wood by Haruki Murakami
    I’m terribly partial to a nicely-presented book. Well, actually, I’m a sucker for it. I adore beautiful bindings, a leather-bound complete works of Shakespeare from the 19th Century is one of my proudest possessions. This edition of Norwegian Wood is in a gold-coloured case, and, joy of joys, the book presented in two small booklets, red and green, as I understand the original Japanese versions were. Discovering Murakami, about three years before he really hit the UK, and his dream-like, slightly terrifying stories of Japan after dark, noodles and beer, apartments playing soft Jazz through night, people (usually beautiful and esoteric girls) disappearing. I think I’d read half the book before I realised the shop was closing.

    Sombrero Fallout by Richard Brautigan
    I’d never read anything like this, when my friend Jim (who sketched a picture of the Globe for me for Shakespeare on Toast) recommended it to me. A love-sick writer starts writing a story, decides it’s rubbish, throws it in the bin, but the story carries on writing itself, centering on a gathering and growing war in a small town, based around a freezing cold sombrero that falls out of the sky and… oh just read it! Brautigan has a lovely economy with his prose, all the more enjoyable by the way he titles his short chapters.

    Jane Eyre by Charlotte Bronte
    Ever been in love? Ever yearned for someone so desperately and yet so silently. I sobbed like a babe at the end of Philip Pullman’s His Dark Materials Trilogy. The love that pours out of this book, the staggering prose, every single line a masterpiece. ‘Make my happiness – and I will make yours’… Go and read this book, go and read it now! I wanted to include Great Expectations as Dickens’ prose is truly mindblowing, but Jane Eyre pulls on your heartstrings like a symphony of lost love.

    Therese Raquin by Emile Zola
    Zola did something terrifying with love here. Starting with a Dickensian description of a Parisian alleyway, you find yourself caught up in a terrible tangle of yearning for a lover’s touch. Therese and Laurent reach the peak of their love for each other so quickly, and Zola charts the falling apart of their minds and hearts in such minute detail. It’s terribly, terribly sad, and horrifically fascinating. They hurtle, ever-so-slowly, to an obvious, but no less enjoyable for it, ending.

    Only Forward by Michael Marshall Smith
    I found MMS in a book store a few years after he first published Only Forward. It’s a clever, and very funny piece of science fiction, with an incredibly cool central character, and skilfully avoids The Curse (so many science fiction books have great premises, but no idea how to end). One of those books I want to be in and have written at the same time. I like Michael’s later thriller writing (under the name Michael Marshall) but his MMS writing bites harder for me; his book of short stories What You Make It, nearly made it into the top ten, simply because they still haunt me.

    Needle in the Groove by Jeff Noon
    There are some writers who you just want to crawl inside the heads of, just for a moment, to find out how one earth they weave the worlds they write, only for a teeny-tiny moment, mind, because it would be a terrifying place to stay too long as a visitor. I was too young to hit Manchester’s Madchester / Hacienda scene, but my sister wasn’t, and I heard about Jeff Noon from her. I learnt to play the bass shortly before I found this book, so I immediately liked Elliot. The first thing you notice is the lack of any punctuation other than a / to separate sentences. Growing up with a linguist father and a speech therapist mother, I adore language play, which is a theme I guess throughout my top ten. Noon writes modern day science fiction that somehow seems so real it’s borderline regular fiction, with slightly weird and fantastical stuff going on. A bit like Murakami’s writing. Vurt nearly took it, but Needle in the Groove was my first Noon experience, so…

    All My Friends Are Superheroes by Andrew Kaufman
    Was oddly enough, the first book I bought from The Book Depository. It was recommended to me by an ex-girlfriend, and written long before Heroes or My Super-ex-girlfriend or whatever that movie with Uma Thurman was, came to our screens. The story of a regular guy, who’s fallen in love with a superhero, in fact, unsurprisingly enough, all his friends are superheroes. All the superheroes have kinda normal superpowers, per Falling Girl, who “won’t go higher than the second floor of any building… A small sample of things she’s fallen from include trees, cars, grace, first-storey windows, horses, ladders, bicycles, the wagon, countless kitchen counters and her grandmother’s knee.” It’s a really short book, but utterly, utterly wonderful, and it puts a very silly smile on your face.

    We by Yevgeny Zamyatin
    Reading this book was like having a heart attack every few sentences. The translation is perfectly written. The ideas sensational, the world Zamyatin creates is astonishing. And all the more so for writing it 22 years before Orwell’s 1984, which was directly inspired by We. That feeling of terror, that horrible twisting in your stomach at the end of 1984 when the picture speaks and the couple are caught, is a feeling you get at the beginning of We which runs to the end until you feel you’re going to burst and then it does and you just want to run around telling everyone you know to read it, how amazing it was written so long ago, and while you’re doing all this you’re starting to read it all over again…

    The Book Depository

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    South London Press Interview

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    South London PressBen at the back with, from left, Samantha Cregan, 15, Charlene George, 15 and Shane Dickens, 13

    KIDS at a special school were treated to a visit by an actor and author attempting to serve up Shakespeare on toast.

    Ben Crystal is on a mission to help people of all ages engage and understand one of this country’s writing greats.
    He has written a new book called Shakespeare On Toast and has visited Pendragon school in Downham in a bid to bring some excitement to the famous plays and poems.

    Ben said: “The kids were fantastic, it was such a great day, I was blown away by them.
    “It’s a question of getting them to speak some Shakespeare and get away from the idea that its so difficult, and they really went for it.
    “The problem in engaging with Shakespeare starts at school but it affects people in their 20s too, even my grandmother.
    “It gets tarnished almost with the label of ‘literature’ and is seen as quite elitist but Shakespeare wrote for the masses.
    “I try to make them remember that this stuff is a hundred years old but can still be compared with modern pop culture.”

    The 31-year-old has acted in Shakespeare productions at the Globe in Southwark.
    His book has been praised by Dame Judi Dench and award-winning director Sir Richard Eyre.
    Copies of the book were donated to the school and some of the students received their own signed copy.

    Pendragon School is a secondary school that caters for pupils with a range of additional needs and works with the company Artists in Residence to bring actors and performers to the children to help creative engagement.

    Ben added: “I first saw the kids from this school down at South Bank performing music and I said, ‘I really want to part of this school’. The work the teachers do there is phenomenal and the kids are great.”

    Michael Stringer

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    South London Press Interview

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    South London PressBen at the back with, from left, Samantha Cregan, 15, Charlene George, 15 and Shane Dickens, 13

    KIDS at a special school were treated to a visit by an actor and author attempting to serve up Shakespeare on toast.

    Ben Crystal is on a mission to help people of all ages engage and understand one of this country’s writing greats.
    He has written a new book called Shakespeare On Toast and has visited Pendragon school in Downham in a bid to bring some excitement to the famous plays and poems.

    Ben said: “The kids were fantastic, it was such a great day, I was blown away by them.
    “It’s a question of getting them to speak some Shakespeare and get away from the idea that its so difficult, and they really went for it.
    “The problem in engaging with Shakespeare starts at school but it affects people in their 20s too, even my grandmother.
    “It gets tarnished almost with the label of ‘literature’ and is seen as quite elitist but Shakespeare wrote for the masses.
    “I try to make them remember that this stuff is a hundred years old but can still be compared with modern pop culture.”

    The 31-year-old has acted in Shakespeare productions at the Globe in Southwark.
    His book has been praised by Dame Judi Dench and award-winning director Sir Richard Eyre.
    Copies of the book were donated to the school and some of the students received their own signed copy.

    Pendragon School is a secondary school that caters for pupils with a range of additional needs and works with the company Artists in Residence to bring actors and performers to the children to help creative engagement.

    Ben added: “I first saw the kids from this school down at South Bank performing music and I said, ‘I really want to part of this school’. The work the teachers do there is phenomenal and the kids are great.”

    Michael Stringer

    <<Back to Interviews Page